![]() NOTE: This course has a minimum technology requirement that students need to own or to have access too. Software programs and compatibility issues. ![]() MIDI keyboard types and compatibility, mixer selection and setup, cable selection and care, microphone design, and A/D-D/A interface options. This course covers space considerations, electrical requirements and acoustic treatment options, computer requirements including processor speed, memory requirements, data storage devices and monitor selection/placement. Online delivery-only course that covers the design, set up and operation of an audio recording and production and mixing studio in a small environment. Prerequisites: Minimum grade of C in MUM 1002C, MUM 2623C, and MUM 2634L or MUM 1003L, and in TPA 1380 or SLS 1122Ĭorequisites: MUM 2623C and MUM 2634L or MUM 1003L As needed, students may engage in the College’s process to determine reasonable accommodations for a disability by contacting the Office for Students with Disabilities /OSD. This course may require students to push carts, to lift and carry equipment weighing up to 50 pounds, to climb ladders and work at height, and to work in confined places by bending, stooping, or kneeling. It covers audio equipment, sound systems, and sound reinforcement for live events with a hands-on project-focused approach. This course reviews the theory and practices of sound reinforcement for the entertainment industry. Prerequisite: SLS 1122 or TPA 1380, and minimum grade of C in MUM 1002C or TPA 2260C (Special Fee: $130.00).Ī practical introduction to professional sound recording on location for film, television, Electronic News Gathering, and other visual media applications, including Surround Sound field-recording for documentaries. Students learn to prepare surfaces and simulate specific types of shoes to record footsteps synchronized with picture, select and place the proper microphone(s) for specific situation, and to manipulate metals, wood, glass, rocks, fabrics, everyday items such as jars, gears, balls, and to use vegetables and produce to record sound effects synchronized to moving picture segments. Prerequisite: Minimum grade of C in MUM 2634L or in MUM 2630C or in MUM 1003L, or Department Approval The course covers recovery and processing of dialogue from production sources including location sound, dialogue synchronization, the use of "WALLA" and foreign languages, and ADR. This course introduces students to the techniques used to extract, edit, and manipulate dialogue for Film, TV and Video Games, VR, and other multimedia productions, as well as voice for radio, voice-overs and narration. Prerequisite: Minimum grade of C in MUM 2634L or in MUM 2630C or in MUM 1003L Prerequisite: Minimum grade of C in MUT 1011C or in MUT 1111Īn introduction to fundamental concepts of Psychoacoustics with emphasis on developing critical listening skills. PSYCHOACOUSTICS & CRITICAL LISTENING SKILLS PSYCHOACOUSTICS & CRITICAL LISTENING SKILLS. This course may lead to a software certification. DIGITAL AUDIO WORKSTATION FOR PROJECT & HOME STUDIO.ĭIGITAL AUDIO WORKSTATION FOR PROJECT & HOME STUDIOĪn introduction leading Audio and Music Production/Editing software, Including MIDI sequencing. This course introduces a qualitative introduction to the basic mathematics and physics of sound, including electrical principles. Cook has been a consultant for Avid for over 15 years, supporting the Avid Learning Partner program, and is the president of NextPoint Training, Inc.An introduction to the fundamental principles of Sound and Acoustics, basic audio equipment, signal flow, microphones, basic sound processing, and principles of sound reinforcement. He has also authored four Pro Tools courses for /LinkedIn Learning. He has worked in publishing and education for almost 25 years and has authored numerous publications, including seven different titles on Pro Tools. Cook is a musician and longtime Pro Tools user. Making Your First MIDI RecordingĪppendix A: Course Completion InformationĪppendix B: AIR Effects and Instrument Plugins What's in the box?įrank D. Importing and Working with MediaĬhapter 7. Making Your First Audio RecordingĬhapter 6.
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